1
Belgrado, Yugoslavia, 1958. Publicó Cuerpos textuales: metáforas del génesis narrativo en la literatura latinoamericana del siglo XX (2001), Yo soy trampa: Ensayos sobre la obra de Luisa Valenzuela (2003), The Art of Truth-Telling About Authoritarian Rule (con Jo Ellen Fair, Leigh Payne y Cynthia Milton, eds., 2005), Akademia Cartonera: A Primer of Latin American Cartonera Publishers (con Paloma Celis-Carbajal, eds., 2009). En prensa, el volumen co-editado con Leigh Payne, Accounting for Violence: The Memory Market in Latin America. Actualmente es profesora de literatura latinoamericana y directora de Latin American, Caribbean and Iberian Studies en la Universidad de Wisconsin-Madison.
2
Jacques Derrida, Writing and Difference, Chicago, University of Chicago Press, 1978.
3
Luisa Valenzuela, Novela negra con argentinos, Buenos Aires, Sudamericana, 1991.
4
Jacques Derrida, La hospitalidad, Buenos Aires, Ediciones de la Flor, 2000.
5
Cathy Caruth, Unclaimed Experience: Trauma, Narrative, and History, Baltimore, MD, The Johns Hopkins University Press, 1996, pp. 3-7.
6
Shoshana Felman y Dori Laub, Testimony: Crisis of Witnessing in Literature, Psychoanalysis, and History, Nueva York y Londres, Routledge, 1992, pp. 104-05.
7
Marcelo M. Suárez-Orozco, «Speaking of the Unspeakable: Towards a Psychological Understanding of Responses to Terror», Ethos, XVIII, 3 (Sept., 1990), pp. 353-83.
8
Luisa Valenzuela, «The Motive: A Novel-in-Progress», The Review of Contemporary Fiction, VI, 3 (Fall 1986), pp. 22-4.
9
Diana Taylor, Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War" Durham, NC, Duke University Press, 1997.
10
Herman Rapaport, The Theory Mess: Deconstruction in Eclipse, Nueva York, Columbia University Press, 2001, pp. 76-80.