131
For a longer discussion of these and other texts see pages 134-45 of my article quoted in note 127
132
Floresta de poesía erótica del Siglo de Oro, ed. Pierre Alzieu, Yvan Lissorgues, Robert Jammes (Toulouse: France-Iberie Recherche, 1975).
133
See my «The Beheading of the Giant: An Obscene Metaphor in the Quijote», Revista Hispánica Moderna, 39 (1976-1977), 141-49, and «La metáfora del libro en Cervantes», Actas del Séptimo congreso de la Asociación Internacional de Hispanistas (Roma: Bulzoni Editore, 1982), II, pp. 579-83.
134
Miguel de Cervantes, Entremeses, ed. Nicholas Spadaccini (Madrid: Cátedra, 1982), p. 261 All quotes are from this edition.
135
Robert V. Piluso, Amor, matrimonio y honra en Cervantes (New York: Las Americas, 1967), p. 100, n. 130; quoted by Spadaccini, p. 261, n. 22.
136
Spadaccini, p. 264, n. 36.
137
A good example of the frequent use of prayers to effect these cures is given by the blind man in the Lazarillo, who could apply them to all kind of complaints, especially for those related to sexual affliction: La vida de Lazarillo de Tormes, ed. Alberto Blecua, (Madrid: Castalia, 1972), p. 97.
138
La ilustre fregona, p. 92; in Miguel de Cervantes, Novelas ejemplares, vol. III, ed. Juan Bautista Avalle-Acre (Madrid: Castalia, 1982).
139
The present paper elucidates in the context of the theme of this «Celebration of Cervantes», one aspect of Cervantes' graphic style studied in greater detail in a monograph I have just completed. In this monograph I update and bring into sharper focus Cervantes' narrative and pictorial stylistic interactions, a subject treated in my book Cervantes y su concepto del arte (Madrid: Gredos, 1975), pp. 305-406. The translations of the Spanish text of Don Quijote are borrowed from various editions and some are my own, for which I assume full responsibility for the meanings conveyed.
140
See Ulrich Weisstein, Expressionism as an International Literary Phenomenon. Twenty-one essays and a bibliography (Paris-Budapest: Didier-Akademiai Kiadó, 1973), pp. 24-5.