171
Mario Praz, Studies in Sixteenth- and Seventeenth-Century Imagery (Rome: Edizioni di storia e letteratura, 1964).
172
Robert J. Clements, Picta Poesis: Literary and Humanistic Theory in Renaissance Emblem Books (Rome: Edizioni di storia e letteratura, 1960); see also Peter M. Daly, Emblem Theory (Nendeln: KTO Press, 1979) and Literature in the Light of the Emblem: Structural Parallels Between the Emblem and Literature in the Sixteenth and Seventeenth Centuries (Toronto; Buffalo: University of Toronto Press, 1979).
173
Giuseppina Ledda, Contributo allo studio della letteratura emblematica in Spagna, 1549-1613 (Universitá de Pisa, 1970); Philip Lloyd-Bostock, «A Study of Emblematic Theory and Practice in Spain between 1580 and 1680», Dissertation, University of Oxford, 1979; Aquilino Sánchez Pérez, La literatura emblemática española: siglos XVI y XVII (Madrid: Sociedad General Española de Librería, 1977).
174
Karl-Ludwig Selig, «The Battle of the Sheep: Don Quixote I, xviii», Revista Hispánica Moderna, 38 (1974-75), 64-72; «Don Quixote II, 16-17: Don Quixote and the Lions», in Homenaje a Ana María Barrenechea (Madrid: Editorial Castalia, 1984), 327-32; Edward C. Riley, «Symbolism in Don Quixote, Part II, Chapter 73», Journal of Hispanic Philology, 3 (1979), 161-74.
175
Clements, p. 92.
176
Miguel de Cervantes Saavedra, Don Quixote, ed. Joseph R. Jones (New York, London: W. W. Norton & Company, 1981), p. 373.
177
Bernardino Daza Pinciano, Los Emblemas de Alciato traducidos en Rhimas Españolas (Lyon, 1549).
178
Cervantes, p. 123.
179
Diego López, Declaración Magistral sobre las Emblemas de Andrés Alciato, 1655 (Menston, England: Scolar Press, 1973), p. 601.
180
Margery Corbett, The Comely Frontispiece: The Emblematic Title Page in England (London, Boston: Routledge K. Paul, 1979), p. 47.