31
Vida de Don Quijote y Sancho según Miguel de Cervantes Saavedra (Salamanca: Almáraz, 1905), pp. 340-352. As David Gies has pointed out, the bandit-saint tradition was very much entwined with Spanish Romanticism. See «José Zorilla and the Betrayal of Spanish Romanticism», RJ 31 (1980), 339-46. (N. from the A.)
32
Sentido y forma del «Quijote» (Madrid: Insula, 1966), pp. 355-56). (N. from the A.)
33
«Don Quijote II/60-61: Some Observations on Roque Guinart», in Medieval, Renaissance and Folklore Studies in Honor of John Esten Keller, ed. Joseph R. Jones (Newark, Delaware: Juan de la Cuesta, 1980), pp. 273-280. (N. from the A.)
34
See p. 109 in «Roque Guinard [sic] y la justicia distributiva en el Quijote» AC 20 (1982), 103-11. (N. from the A.)
35
«Cervantic Irony in Don Quijote: The Problem for Literary Criticism», in Homenaje a Rodríguez-Moñino (Madrid:Castalia, 1966), II, 21-27. (N. from the A.)
36
The Compass of Irony (London: Methuen, 1969, rpt. 1980). Also see John J. Allen, Don Quixote: Hero or Fool? Part II (Gainesville: University of Florida Humanities Monograph No. 46, 1979) for an extended study of irony in Don Quijote in relation to Muecke's concepts. (N. from the A.)
37
Don Quijote II, 493-94. All citations are to the edition of Luis Andrés Murillo, El ingenioso hidalgo don Quijote de la Mancha, 2 vols. (Madrid: Castalia, 1978). (N. from the A.)
38
Muecke describes the pseudo-victim as follows: «the ironist pretends to hold the views he is denying and endeavors to give to his pretence every appearance of plausibility. He presents himself, perhaps, as an earnest simple fellow who says in all innocence what everyone else knows to be absurd» (p. 51). (N. from the A.)
39
See Selig's remarks on the rhythm of repeated interruptions during this episode in his «Observations on Roque Guinart». (N. from the A.)
40
«Don Quixote's Sophistry and Wisdom», BHS 55 (1978), 111. (N. from the A.)