1
Hartford, Connecticut, 27-30 March.
2
David George staged Triana's play with theatre students from the University of São Paulo.
3
Pavis, Patrice. Languages of the Stage: Essays in the Semiology of Theatre (New York: Performing Arts, 1982).
4
Una Chaudhuri, «The Spectator in Drama/Drama in the Spectator», Modern Drama 27/3 (Sept. 1984): 281-299.
5
Chaudhuri 283.
6
Frank Dauster, «The Game of Chance: The Theatre of José Triana», Latin American Theatre Review 3/1 (Fall 1969): 3-8.
7
Kirsten Nigro, «La noche de los asesinos: Playscript and Stage Enactment», Latin American Theatre Review 11/1 (Fall 1977): 45-59; Priscilla Meléndez, «El espacio dramático como signo: La noche de los asesinos», Latin American Theatre Review 17/1 (Fall 1983): 25-35.
8
Julio Miranda, «José Triana o el conflicto», Cuadernos Hispanoamericanos 230 (1969): 439-444.
9
Chaudhuri 289.
10
Matías Montes Huidobro, in his Persona y máscara en el teatro cubano (Miami: Universal, 1973), approaches this subject from a different perspective and purpose.